Along with literature, painting and sculpture,
the art of astrology reached new heights in the rebirth of classical culture in the
European Renaissance of 1450-1700. The Renaissance philosopher and astrologer
Marsilio Ficino, writing in 1492, proclaimed, "This century,
like a golden age,
has restored to light the liberal arts, which were almost extinct: grammar,
poetry, rhetoric, painting, sculpture, architecture, music...this century appears
to have perfected [astrology]." Quoted in Peter & Linda Murray, The Art of the
Renaissance (London, Thames & Hudson, 1963) page 7.
Several contrasting trends
were manifest in Renaissance astrology.
There was a tendency towards the adoption of Hellenistic astrological
techniques and a new emphasis on the Greek astrologer Ptolemy, alongside
a continuation of medieval astrology largely derived from Islam. There
were also efforts to rationalize and improve the accuracy of astrology,
although many astrologers persisted in their accustomed ways. Astrology
also became more popular than ever with the adoption of printing and the
dissemination of almanacs, yet it increasingly came under fire as the
Renaissance gave way to the Enlightenment.
Astrology flourished in Europe during the
Hellenistic period from 300 B.C. to 1 A.D. and under the Roman Empire from its
foundation in the first century A.D. until its fall in the 5th century.
With the subsequent barbarian invasions and the disintegration of the Roman
system of learning, astrology all but disappeared from Europe.
While a good deal of learning was conserved
by the eastern Christian Byzantine Empire, it is to the advanced Islamic
civilization of the Middle East that we owe the preservation and further
development of Greek and Roman astrology. Moreover, while they wrote in
Arabic, many astrologers of the Islamic civilization were Persians, Jews
and pagan Harranian Sabians. This lent a new diversity to astrology in sources,
techniques and philosophy.
The development of astrology in the
Middle East followed a course with considerable continuity, but there were
some significant changes from Hellenistic and Roman practice.
One of these changes was the adoption of house systems and aspect orbs.
Greek and Roman astrologers appear primarily to have used the whole sign
or sign-house system.
In the whole sign system, no matter
what the degree of the rising sign, it is considered to be the first house,
the second sign is the second house and so forth. One corollary of
the whole sign
house system is that aspects are sign to sign such that a planet in Aries is
considered to be in sextile to a planet in Gemini and Aquarius, square to
planets in Cancer and Capricorn, etc.
Arabic astrologers, by contrast,
adopted various house systems, including the Porphyry and Alcabitius
systems, which broke the one-to-one correspondence of sign and house.
These new practices initiated a controversy over the proper choice of
house system that has continued through the present day.
As a result
of the adoption of these house systems, Arabic astrologers also began
to use aspects based on degrees rather than signs. Thus, if a planet
were at 5 degrees of Aries and another planet at 25 degrees of Gemini,
they were no longer considered to be in a sextile aspect.
Along with
the utilization of aspects using degrees rather than signs,
came the introduction of zones of influence or orbs, consisting
of a set number of degrees in which the aspect is effective both
before and after the exact degree of the aspect. Unlike modern practice where each aspect
has a particular orb in Arabic astrology each planet had its own orb.
In addition to adopting orbs and aspects
based on degrees rather than signs Arabic astrologers also began using a
very complex system of separating and
applying aspects
and such arcane relationships as translation, abscission and
collection of light, refrenation,
prohibition and frustration.
These changes allowed them to extract a great
deal of information regarding the interaction, both past and present of
the planets involved.
Arabic astrology represented a
heady mix of Persian, Hebrew, Harranian Sabian and Hindu astrologies,
though its basis was Greek and Roman astrology. This core of classical astrology,
as further developed by the Arabic astrologers, was then transmitted to the
West as part of the "new science" in the twelfth and thirteen centuries.
As medieval civilization grew in size and
complexity, the necessary knowledge to erect and delineate charts became more
widely dispersed and employed. It became commonplace, particularly in the
advanced city-states of northern Italy, for nobles, kings and the wealthy
bourgeoisie to consult astrologers for guidance in their affairs.
Astrology was taught at many universities and was a generally accepted part
of the medieval world view, metaphysics and philosophy.
Thus, Greek and Roman astrology, modified by Arabic practice and passed on to
Europe in the Middle Ages, became the astrology of the Renaissance.